![]() There are no parts or roll-off switches on the mic, so in high-SPL circumstances, it may become essential to make use of the sleeping pad on thé mic preamp ór mixer to which the mic will be connected. This can be high more than enough for all normal studio applications, including vocals, and is again typical for the type of microphone. The sensitivity is rather better chosen at 22mVPa and the maximum SPL before distortion exceeds one percent will be 130dT. The mics frequency range will be quoted as being 30Hz-20kHz, but this is a very meaningless body provided that there are usually no limitations described and no regularity piece to send to. Its a oné-inch cardioid component with a six-micron gold-coated mylar diaphragm and, like many classic mics, it is certainly centre terminated. ![]() ![]() Total 48V phantom powering can be needed to operate the mic, ánd the conventionally sent XLR output provides gold-plated pins to ensure a great connection. The output stage is usually transformerless, which surprised me, as the features of transformers are frequently an essential component of what users believe of as the tube sound. The FET circuit (the Silicon Valve) varies somewhat from the FET preamps utilized in countless additional capacitor mics, because it can be biased to generate a identical level of second-harmónic distortion as is usually quality of a tube circuit.
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